nd nature photographer of the year 2014
Thomas Morel norway
title
Wildlife like you've never seen before
There is only one way of making a good image even better, and that is by getting as close as possible to the animals. Some of these images where shot while the animals where just 30cm away from the camera. This artwork was shot for an hotel called "The Eagle" in Bergen, Norway.
“While I was still at school I created a business plan to persuade the bank manager that photography was my future,” he says. “At the time I had no training, no equipment and no references, just a burning passion. When I reached 18 I got a loan and went and invested in my first Hasselblad, an H3DII-31, and a full complement of broncolor studio lighting.”
Not only was the H3D the perfect camera for stopping action, but it also delivered files packed with awesome quality, allowing the full impact of Thomas’ amazing images to shine through. “I didn’t want to risk shooting a really great image only to be frustrated by poor technical quality,” he says.
Remarkably Thomas captures his shots through the speed of his reactions rather than by relying on a trigger to fire his shutter. He locks up the mirror on his camera and then can expect an almost instantaneous response when he presses the shutter. The ability to see through the lens is lost, but with the Hasselblad on a tripod and focused on the point of interest, it’s just a case of waiting for the moment and being quick enough to react.
The extraordinary portfolio of images Thomas has created is testament to his skill at mastering the difficult art of timing and it’s allowed him to forge a reputation for himself as one of the most original and eye-catching photographers working today.
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entry description
For this series, I provoked situations where the birds would be showing off their beauty right in front of my camera.There is only one way of making a good image even better, and that is by getting as close as possible to the animals. Some of these images where shot while the animals where just 30cm away from the camera. This artwork was shot for an hotel called "The Eagle" in Bergen, Norway.
about the photographer
As a former gymnast, speed and movement and, particularly, the moment that was too rapid for the human eye to see, fascinated him. He determined that this would be the focus of his work, and he concentrated on teaching himself the skills he needed to master high-speed work.“While I was still at school I created a business plan to persuade the bank manager that photography was my future,” he says. “At the time I had no training, no equipment and no references, just a burning passion. When I reached 18 I got a loan and went and invested in my first Hasselblad, an H3DII-31, and a full complement of broncolor studio lighting.”
Not only was the H3D the perfect camera for stopping action, but it also delivered files packed with awesome quality, allowing the full impact of Thomas’ amazing images to shine through. “I didn’t want to risk shooting a really great image only to be frustrated by poor technical quality,” he says.
Remarkably Thomas captures his shots through the speed of his reactions rather than by relying on a trigger to fire his shutter. He locks up the mirror on his camera and then can expect an almost instantaneous response when he presses the shutter. The ability to see through the lens is lost, but with the Hasselblad on a tripod and focused on the point of interest, it’s just a case of waiting for the moment and being quick enough to react.
The extraordinary portfolio of images Thomas has created is testament to his skill at mastering the difficult art of timing and it’s allowed him to forge a reputation for himself as one of the most original and eye-catching photographers working today.
back to gallery