honorable mention
Camillo Pasquarelli italy
title
The valley of shadows
On 8 July 2016 guerrilla group Hizbul-e-Mujahideen’s young commander Burhan Wani was killed in an encounter by the Indian army. Popular especially among the youth thanks to his use of social networks to spread his message, Wani’s martyrdom was the sparkle that lighted up the entire valley. The government imposed a four-month-long curfew on the local population, while separatist leaders called for a continuous strike.
Hundreds of young boys filled the streets of Kashmir protesting against the “Indian occupation”, throwing stones against the army and the Kashmiri police. Security forces, since July 2016, responded using pellet guns extensively.
According to Amnesty International, the new weapon is responsible for blinding hundreds and killing 14 people.
Many of the victims were not involved in the clashes with security forces. Those who were hit during the protests tend to avoid speaking about it openly, fearing retaliation by the police.
For youngsters left with one eye reading has become too painful, thus forcing them to abandon their studies, giving up the chance of pursuing higher education. Men left blind, the only breadwinner in the family, are unable to work and provide for their beloved ones.
Left partially or totally blind, victims speak of the darkness descended upon their lives. The only things left to see are the faint shadows that surround them.
Since 2015 he is working on a visual project about the valley of Kashmir, India, exploring the notion and the experience of conflict, memory, religion and political aspirations.
In 2017 he received one of the Alexia Foundation Student Grant to keep working on “The endless winter of Kashmir”.
His works have been published on TIME, Der Spiegel, BuzFeed, Mashable, Il Reportage, Gazeta Wyborcza, Il Manifesto, Left, among others. He was part of exhibition in Moscow, Rome, Getxo, Dubai, Kuala Lumpur, Hyderabad, Bologna.
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entry description
The valley of Kashmir, a territory disputed by India and Pakistan since 1947, is one of the most militarized zones in the world. In 2010 the Indian government provided the security forces deployed in the state of Jammu and Kashmir with a new weapon. Shotgun shells filled with hundreds of small lead pellets are since then used to keep urban protests under control. Defined as a “non-lethal” weapon, pellet guns should be aimed at the lower part of the body.On 8 July 2016 guerrilla group Hizbul-e-Mujahideen’s young commander Burhan Wani was killed in an encounter by the Indian army. Popular especially among the youth thanks to his use of social networks to spread his message, Wani’s martyrdom was the sparkle that lighted up the entire valley. The government imposed a four-month-long curfew on the local population, while separatist leaders called for a continuous strike.
Hundreds of young boys filled the streets of Kashmir protesting against the “Indian occupation”, throwing stones against the army and the Kashmiri police. Security forces, since July 2016, responded using pellet guns extensively.
According to Amnesty International, the new weapon is responsible for blinding hundreds and killing 14 people.
Many of the victims were not involved in the clashes with security forces. Those who were hit during the protests tend to avoid speaking about it openly, fearing retaliation by the police.
For youngsters left with one eye reading has become too painful, thus forcing them to abandon their studies, giving up the chance of pursuing higher education. Men left blind, the only breadwinner in the family, are unable to work and provide for their beloved ones.
Left partially or totally blind, victims speak of the darkness descended upon their lives. The only things left to see are the faint shadows that surround them.
about the photographer
Camillo was born in Rome in 1988. Only after completing his studies in political science and anthropology, in 2015 he decided to devote himself entirely to photography. Nowadays, is mostly interested in personal and long-term projects and deals with documentary photography trough the combination of the anthropological approach and the photographic medium.Since 2015 he is working on a visual project about the valley of Kashmir, India, exploring the notion and the experience of conflict, memory, religion and political aspirations.
In 2017 he received one of the Alexia Foundation Student Grant to keep working on “The endless winter of Kashmir”.
His works have been published on TIME, Der Spiegel, BuzFeed, Mashable, Il Reportage, Gazeta Wyborcza, Il Manifesto, Left, among others. He was part of exhibition in Moscow, Rome, Getxo, Dubai, Kuala Lumpur, Hyderabad, Bologna.
back to gallery