honorable mention
Fabio Di Carlo italy
title
Refiore collection
photographer Fabio Di Carlo
Refiore born from young memory that accompanies me in recovering the light of the Flemish painters at the turn of the seventeenth and eighteenth centuries.
A path made of senses (smell, taste and sight) that I have moved away from photography as such, look for suspended atmospheres, unchanged and full of light, light Flemish painting, which unlike the Italian (Caravaggio), was more generous, giving to all the elements of the composition of a fair value perception. So the details were just as important as the main elements. Each element, detail was taken care of in its iconographic research, and positioned with care and respect. The flowers are those of the period (peonies, anemones, roses, lavender ...), who so loved the painters who painted them. Refiore meets the color, the light, the senses, in fact, during the first vernissage suites for solo cello by Bach served as musical score, and spices and scents of these flowers were burned in the air to search for emotional involvement.
This is just a starting point, in the representation of the flower in different historical periods that I see committed in the future.
back to gallery
entry description
REFIOREphotographer Fabio Di Carlo
Refiore born from young memory that accompanies me in recovering the light of the Flemish painters at the turn of the seventeenth and eighteenth centuries.
A path made of senses (smell, taste and sight) that I have moved away from photography as such, look for suspended atmospheres, unchanged and full of light, light Flemish painting, which unlike the Italian (Caravaggio), was more generous, giving to all the elements of the composition of a fair value perception. So the details were just as important as the main elements. Each element, detail was taken care of in its iconographic research, and positioned with care and respect. The flowers are those of the period (peonies, anemones, roses, lavender ...), who so loved the painters who painted them. Refiore meets the color, the light, the senses, in fact, during the first vernissage suites for solo cello by Bach served as musical score, and spices and scents of these flowers were burned in the air to search for emotional involvement.
This is just a starting point, in the representation of the flower in different historical periods that I see committed in the future.
back to gallery