nd special discovery of the year 2019
Streetmax 21 united kingdom
title
301115-260319
In developing scenes, I try to choose architectural backgrounds against which I can display separated figures, distributing or choreographing them across the frame. The architecture becomes incidental to a scene or situation that may or may not evolve within it. I tend to look for sites or places where people pass through without congregating. To begin with, if there is one figure or two or more figures who are positioned apart, I’ll wait until they’re joined by others in the hope that they’ll create a spatial and enigmatic dialogue. The figures take on the look of ciphers. At a time when it’s becoming harder to discern what is human and what isn’t, their isolation from each other serves to emphasize an unreal and robotic formality. These isolated figures don’t have to be interesting in themselves, so long as they create a narrative tension with others. It’s important that there is an element of movement from the figures. Everything must appear to be changing and in flux at the same time as retaining a spatial integrity.
My street work has been shown in various festivals and group shows internationally. Having been selected as the Juror’s Pick in the LensCulture Street Photography Awards in 2017, I’ve gone on to win several awards including, the series winner at PHoS Athens, and the Best Series award at Streetfoto, San Francisco, in 2017, as well as being the Street category winner of the Neutral Density Awards and series winner in the 13th Pollux Awards, Street category in 2019. I’ve shown also in a number of galleries in the United Kingdom, United States, Hungary, Greece, Turkey, Italy, France and Spain. In 2020, I became a member of the street photography collective iN-PUBLiC, and was included in its first online exhibition “The Square Mile”.
https://streetmax21.com/
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entry description
As a street photographer, I take an observational view of how our present circumstances govern our behavior individually and in crowds. Progressively, we appear to interact with each other only on a synthetic basis. We attempt to mass connect with the aid of modern technology, but in so doing pay less attention to individual connection. I think this is compounded by the increasingly designed environment we inhabit. The codes we see, hear and read within it impact upon our behavioural processes and ultimately isolate us.In developing scenes, I try to choose architectural backgrounds against which I can display separated figures, distributing or choreographing them across the frame. The architecture becomes incidental to a scene or situation that may or may not evolve within it. I tend to look for sites or places where people pass through without congregating. To begin with, if there is one figure or two or more figures who are positioned apart, I’ll wait until they’re joined by others in the hope that they’ll create a spatial and enigmatic dialogue. The figures take on the look of ciphers. At a time when it’s becoming harder to discern what is human and what isn’t, their isolation from each other serves to emphasize an unreal and robotic formality. These isolated figures don’t have to be interesting in themselves, so long as they create a narrative tension with others. It’s important that there is an element of movement from the figures. Everything must appear to be changing and in flux at the same time as retaining a spatial integrity.
about the photographer
Born in Dundee, Scotland.My street work has been shown in various festivals and group shows internationally. Having been selected as the Juror’s Pick in the LensCulture Street Photography Awards in 2017, I’ve gone on to win several awards including, the series winner at PHoS Athens, and the Best Series award at Streetfoto, San Francisco, in 2017, as well as being the Street category winner of the Neutral Density Awards and series winner in the 13th Pollux Awards, Street category in 2019. I’ve shown also in a number of galleries in the United Kingdom, United States, Hungary, Greece, Turkey, Italy, France and Spain. In 2020, I became a member of the street photography collective iN-PUBLiC, and was included in its first online exhibition “The Square Mile”.
https://streetmax21.com/
back to gallery
