honorable mention
Marnie Haddad australiaPhoto © Marnie Haddad
title
untitled #1 'The Parlour'
I cast her, dressed her, propped the setting.
I directed her to gaze straight into my lens to enhance my set.
Is she afraid, proud, bullied, in control, what's her future?
Did she just win a competition perhaps in gymnastic or perhaps another mundane showing of her incredible fortune.
Haddad’s new works draw inspiration from her love of classic film, depicted in her evocative and poetic portraits utilising shadow and subtle illumination. Haddad’s cinematic staging, rich painterly hues, technical precision and romantic undercurrents are beautifully articulated in this latest photographic essay.
In this series, Haddad illustrates ‘a time that stands still’, she commented – “it’s neither comforting nor unsettling, but focuses on the kind of timeless travel that stops the clock and allows your imagination to transport you.”
The fantasy that cinema brings has long ignited Haddad’s artistic sensibilities, she recalls being mesmerized by a flickering theatre scene where ordinary objects take on deeper meanings - the pink fluted glass, the arranged flowers, the street lights casting stripes through the venetian blinds, the curtains locked in folds, the heavy velvet that sits and fades with the migrating sun.
Haddad’s quest is to keep alive and tangible the fantasy that sometimes exists only in our minds. The result is the creation of an etched memory that is everlasting and invites you to dance within the possibilities.
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entry description
I wanted to photograph a subject, not royal or entitled but a girl to challenge the blurred lines of excess.I cast her, dressed her, propped the setting.
I directed her to gaze straight into my lens to enhance my set.
Is she afraid, proud, bullied, in control, what's her future?
Did she just win a competition perhaps in gymnastic or perhaps another mundane showing of her incredible fortune.
about the photographer
Marnie Haddad unveils her new exhibition, ‘The Estate’ at Graham Geddes salon from 15 – 22 March 2019.Haddad’s new works draw inspiration from her love of classic film, depicted in her evocative and poetic portraits utilising shadow and subtle illumination. Haddad’s cinematic staging, rich painterly hues, technical precision and romantic undercurrents are beautifully articulated in this latest photographic essay.
In this series, Haddad illustrates ‘a time that stands still’, she commented – “it’s neither comforting nor unsettling, but focuses on the kind of timeless travel that stops the clock and allows your imagination to transport you.”
The fantasy that cinema brings has long ignited Haddad’s artistic sensibilities, she recalls being mesmerized by a flickering theatre scene where ordinary objects take on deeper meanings - the pink fluted glass, the arranged flowers, the street lights casting stripes through the venetian blinds, the curtains locked in folds, the heavy velvet that sits and fades with the migrating sun.
Haddad’s quest is to keep alive and tangible the fantasy that sometimes exists only in our minds. The result is the creation of an etched memory that is everlasting and invites you to dance within the possibilities.
back to gallery