2nd place
silver star award
Charlotte Greenwood
united kingdom Photo © Charlotte Greenwood
title
Nereid
About the Series
"Cliché-verres in Colour" is an ongoing series of cameraless photographs that is a result of the artist searching for ways of working outside of the darkroom — from home — throughout the coronavirus pandemic. Each piece documents her investigation into how traditional art supplies and materials interact and chemically react with household substances.
Charlotte Greenwood is an experimental fine art photographer based in the North East of England working with both analogue and digital mediums. Originally from the North West, she moved to London in 2017 to study a Bachelor of Arts in Illustration and Visual Media at the University of the Arts London and graduated with a First-Class Honours in 2021. During the placement year of her degree, she completed an internship in downtown Los Angeles at The School of Light under the instruction of the photographer Andrew Hall, which is where her passion for cameraless photography was ignited. Charlotte has exhibited her work both nationally and internationally, most notably at the Royal Photographic Society in Bristol. She was awarded first place in the abstract category of the Fine Art Photography Awards 2022 and her ongoing series, “Cliché-Verres in Colour”, was recently published in New Scientist magazine as a centre spread feature.
Artist Statement
Fuelled by my adoration for the environment, my practice explores the unpredictability and uncontrollability of nature, and often looks to find the beauty in destruction. Through my work, I present abstract macro perspectives of the natural world that offer viewers new ways of seeing and allow them to perceive micro details usually invisible to the naked eye. These perspectives push viewers to pause, question, and make sense of what they are looking at; they search for something recognisable within the visuals and in doing so, they connect with nature. My practice involves working with materials that produce uncertain outcomes, meaning each piece is created in ‘the moment’ through a process of trial and error, where fortunate strokes of serendipity are patiently awaited.
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entry description
"Nereid", cliché-verre, cameraless photograph — from the series "Cliché-verres in Colour".About the Series
"Cliché-verres in Colour" is an ongoing series of cameraless photographs that is a result of the artist searching for ways of working outside of the darkroom — from home — throughout the coronavirus pandemic. Each piece documents her investigation into how traditional art supplies and materials interact and chemically react with household substances.
about the photographer
BioCharlotte Greenwood is an experimental fine art photographer based in the North East of England working with both analogue and digital mediums. Originally from the North West, she moved to London in 2017 to study a Bachelor of Arts in Illustration and Visual Media at the University of the Arts London and graduated with a First-Class Honours in 2021. During the placement year of her degree, she completed an internship in downtown Los Angeles at The School of Light under the instruction of the photographer Andrew Hall, which is where her passion for cameraless photography was ignited. Charlotte has exhibited her work both nationally and internationally, most notably at the Royal Photographic Society in Bristol. She was awarded first place in the abstract category of the Fine Art Photography Awards 2022 and her ongoing series, “Cliché-Verres in Colour”, was recently published in New Scientist magazine as a centre spread feature.
Artist Statement
Fuelled by my adoration for the environment, my practice explores the unpredictability and uncontrollability of nature, and often looks to find the beauty in destruction. Through my work, I present abstract macro perspectives of the natural world that offer viewers new ways of seeing and allow them to perceive micro details usually invisible to the naked eye. These perspectives push viewers to pause, question, and make sense of what they are looking at; they search for something recognisable within the visuals and in doing so, they connect with nature. My practice involves working with materials that produce uncertain outcomes, meaning each piece is created in ‘the moment’ through a process of trial and error, where fortunate strokes of serendipity are patiently awaited.
back to gallery